Loretta Monaco has written dramatic pieces for theatre groups in New York, in particular Working Stages, where two of her plays Wanda Magic and What's the Matter with Mother? were performed off-off Broadway, and with the Playwright's Co-operative in London, where a rehearsed reading of Addie's Choice was performed at the Old White Bear in Kennington.
Testimony is a three-hander set in a holding pen in Manhattan Criminal Court on the night of the 1987 Wall Street crash. Its dialogue is a knife-edge exchange among characters who embody a sinister-comic reality that triggers the stuff of nightmare.
Testimony enjoys its first London production as part of the Camden Fringe Festival 2015.
Ken's production credits for Just an Act include The Woodhouse Principle (Upstairs at the Gatehouse), Drama Bites (Etcetera Theatre) and Gossip (The Lion and Unicorn Theatre).
Trained at The British Academy of Dramatic Combat. Fight Direction credits include work at Shakespeare’s Globe, Lyric Hammersmith, Royal Festival Hall, Haymarket Theatre Basingstoke, Nashville Ballet, Comedy Theatre London, The Tobacco Factory Bristol, BBC and Channel 4.
Tim has provided casting assistance for productions seeking action actors and motion capture performers, including Kingdom of Heaven and Alexander.
Work in motion capture for video games includes Medieval Total War II, Spartan Total Warrior, Killzone 2, and Shellshock 2. Tim is resident fight director at The Drama Centre, he also staffs and creates workshops and events in the UK, US, Canada, Italy, South Africa, Ireland and the Netherlands. Tim works as Creative Fencing Consultant for British Fencing.
Patricia is a set and costume designer from Canada. She is currently completing her MA in Theatre Design at Wimbledon College of Art. While in Canada she worked and lived on Vancouver Island for six years. In addition to theatre design she also works as a freelance illustrator.